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Traditional Arts and Crafts and the Acquisition of New Skills Traditional arts and crafts were well developed in
the parts of southern Ghana where the Basel missionaries worked. Likewise,
sculpture, smithery and pottery were refined arts in the kingdom of Bamum
and in the Cameroon Grasslands generally. Chieftaincy and the emergence
of states were important in the development and support of arts and crafts.
Royal courts provided patronage for carvers of court paraphernalia, gold-
and ironsmiths, weavers and producers of cloth or textile, leather workers
and other artisans. Indeed, the pre-colonial state successively removed
skilled artisans from defeated states and resettled them closer to the
Asante capital of Kumasi. In Asante, Ahwia emerged as a center of woodwork,
Bonwire as a Kente weaving town, and Tafo was noted for pottery. The expansion
of trade in the nineteenth century increased the ranks of the wealthy
and traders also became patrons of arts and crafts. The missionaries enhanced
these skills when they introduced carpentry, masonry, needlework and other
skills to the pupils and African teachers in mission schools in Ghana
and Cameroon. In D-30.14.042,
Mrs. Ramseyer, wife to perhaps the most influential Basel missionary who
worked among the interior Akan of Ghana (F. A. Ramseyer), is seen in a
sewing class in Abetifi with a group of girls. The Hausa influence in
Bamum’s history from the late nineteenth-century also strengthened
a tradition of cloth making. In E-30.33.054,
a Bamum woman spins on a European spinning wheel, underscoring a new layer
of skills gained through missionary presence. Weaving was traditionally
a male art among the Akan with women being limited to the picking and
spinning of cotton. In D-30.22.007,
two men are weaving on traditional looms in the Abetifi district. Weaving
has a long history in the Gold Coast with influences from the Mande world
to the north (the Niger Bend). The introduction of knitting and sewing
classes by female missionaries created the foundation of the trade of
seamstresses in Ghana. Perhaps, reflecting this original external influence,
"overseas-trained" seamstresses have remained an elite in the
profession, and advertisement boards today clearly indicate if a seamstress
was trained in Europe." Smithery remained a male preserve in West
Africa with no notable missionary influence. |
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